Tuesday, October 25, 2011

Life at IIMC

Daffodils" (1804) – William Wordsworth

I gazed -- and gazed -- but little thought

What wealth the show to me had brought:

For oft, when on my couch I lie

In vacant or in pensive mood,

They flash upon that inward eye

Which is the bliss of solitude;

And then my heart with pleasure fills,

And dances with the daffodils.

Each day brings with it the indescribable joy of living, another day of peace and happiness, another day of seeing nature in some of her glory, another day of seeing the sun dance itself into my room, another day of smelling the raindrops, another day of seeing the reflections of the setting sun in the lake, another day of feeling the night breeze on my face. I cannot single out a moment or an incident here at IIM Calcutta, but each day is a kaleidoscope of warmth and emotions.

I was too lost in a competitive world trying to live others life, too worried about what would happen tomorrow to live today. It helps that I am in that phase of coursework where I am still not disappointed in my potential and my expectations. This is something I wonder how many people feel or see in the daily grind of quizzes, lectures, presentations and placements. I am not sure if I would continue to feel like this after five years (till which period I am definitely supposed to stay here), but at this moment, now, today, IIM Calcutta has given me back my joy in living.

The bird song in the mornings and in the evenings reminds me of all those moments that I could not capture in the past, all the moments that I definitely want to be indelibly imprinted in my memory to carry with me “in vacant or in pensive mood”. I hope the night lights of the lake will stay with me and give me the fortitude to live with myself for the coming five, six years that I am on campus and for the years to come.

Article that I wrote on IT Services contracts

The Indian growth story has attracted significant attention to a certain extent due to the IT sector growth sector. While earlier, this sector signified the IT services and to a small extent the hardware sector, it now also encompasses the IT enabled services as well. The IT sector growth story is too well-publicized to be recounted here. The growth of the sector has been inextricably coupled with that of the globalization and outsourcing stories. While, the modest beginnings for this sector might have been wage differentials and currency arbitrage, this sector has now matured and competition with other geographies too intense and has evolved into value based and transaction based pricing.

The outsourcing story can be understood as one that started from cost savings, grew into cost and services efficiencies, translated into value added services and is now possibly stabilizing at trusted partnership with the service vendor involved in a limited manner in strategic decision making.

For their part, Indian IT services organizations have also finally started to look beyond their self-constrained boundaries. Their strategy for growth is not limited to just expanding industry verticals that they could serve, it is also to expand service offerings and improve cross-selling opportunities especially with the BPO and KPO services. The recent acquisition by industry leaders like Cognizant of UBS’ Indian captive unit is a case in point. More organizations are looking at increasing their footprint across the entire business process of their customer rather than just focus on a single function (viz., IT).

The evolution of the role of the Indian IT organization also necessitates a change in the way they position themselves with their partner organization and a key ingredient of this is pricing. As an outsourced partner that supports non-critical IT applications, the traditional “Time & Material” contracts served the purpose of everybody. For the client, they could justify the onboarding of an outsourced partner in terms of reduction in rates vis-à-vis an employee or a local contractor. Further, T&M contracts carry low operational risks. Information resides with the client. The client controls all resources. Success or failure of the vendor depends on their recruitment and employee retention capabilities. Initially, the client insisted on all activities being conducted at client premises. As an understanding of the vendor organization and capabilities increased, more and more work started getting transitioned offshore albeit under the T&M contracts.

With time and evolution of trust, the client started to outsource and offshore more of the design work. This also led the client to demand efficiencies from the vendor partner including those to the IT value chain. While premium could be commanded in wage rates for designers, value of the vendor partner was not getting positioned with the customers. An added dimension to the outsourcing policy of the IT organization of clients was the failure of IT projects. In many a cases, the clients wanted the vendor to share the risk of the project. However, vendor organizations were reluctant to do so due to lack of control. This in turn crystallized the fixed price contracts where the vendor would share the risks of the IT projects and correspondingly the rewards. There were many variants to the fixed price contracts – T&M contracts with penalty and rewards based on balanced scorecards and fixed capacity contracts with rewards and penalty being a few examples.

While fixed price contracts positioned Indian IT vendors as reliable and skilled, there is now a need for a different pricing mechanism that could leverage the fact that the same vendor is present in different parts of the business process chain. The vendor could be doing application support – voice, production ticket handling, and installations etc., application maintenance – enhancements, production support, application development, and analytics – report generation and analysis. The vendor needs a flexible pricing mechanism that could leverage its presence across the business process chain. The pricing should also reflect the ability of the vendor to shares the risks and rewards of the IT organization.

One proposal that is gaining currency is transaction based pricing. This would be another form of bundling. The application development in itself could be a fixed price contract, but once the warranty period is over, the transaction based pricing could kick in. As per this pricing mechanism, the IT vendor would receive a fixed price per transaction that occurs through the application being maintained/supported. The analytics could be priced per report produced/analyzed. This is akin to royalties of musicians or authors with all its attended complications of defining, tracking and sharing of information on transactions. This pricing mechanism has an in built control where any development bugs or potential production issues are the responsibility of the IT vendor and provides a strong incentive to the vendor to ensure a quality product from the development stage itself.

This kind of a pricing mechanism would also require a sea change in the vendor organizations’ structure and processes. Currently the BPO, IT services and KPO organizations are separate entities. Further, internal systems need to be enhanced to track billing and project costs.

The transaction pricing mechanism is a radical departure from the current client-vendor relationship. It pre-supposes a strong degree of trust between the two organizations. This pricing mechanism also needs the client to be innovative and risk taking. This increases the operational risk of the organization. The client and vendor would have to evolve risk mitigation techniques beyond the traditional variants of disaster management and redundancy maintenance. Governance mechanisms including knowledge management where knowledge is still maintained and retained with the client need to be evolved.

Evolution of technology and business models would also bring with itself new challenges to the outsourcing client-vendor relationship. Pricing mechanisms are but one-way to control the relationship. Intelligent changes to the pricing mechanisms would help both the client and vendor organizations to bring in efficiencies within their organizations. It also has the potential to bring in innovations not just within their relationship but also change the IT services landscape.

Friday, October 21, 2011

100% Love

Saw 100% Love a few weeks back. Obviously, a bad print and some scenes deleted. I did not have too many expectations. Director Sukumar's movies leave me feeling discontented. It feels as if I am on the cusp of some discovery but when I reach the destination the ending is just not what I hoped it would be.

I had liked Jagadam to a certain extent. It was a story of a young boy on the verge of manhood. To some extent like Marlon Brando's Wild One. It had so much promise, but the story never went beyond platitudes. It does not help that Telugu movie industry is dominated by "Stars" who have to perpetuate the star dynasty and their "Viraasat" than a love for art or issues or a medium. And Sukumar never goes beyond these "Stars" in his cast.

Thats the reason I was determined not to see too much in the movie 100% Love. I was pleasantly surprised by the movie to a certain degree. The whole issue of ego in a relationship and gender bias in India, the role of the woman despite so called "progress" that we have made in women's empowerment does get highlighted to a certain extent. However, the need for a commercial closure ruins everything. One cannot forget that the ticket cost is finally paid by the male in the house and "Taming of the Shrew" is a very popular play.

Still, I would say Sukumar has done a better job of portraying relationships in 100% Love whether Hindi or Telugu film industry and far more mature than running around in Switzerland or Punjab. I just hope to see an edgier movie from Sukumar and not just the Arya-2 version (Thank God!).

Thursday, September 22, 2011

Orange

I am on a roll tonight. 3 blogs in a day or in the space of a few hours. Looks overwhelmingly that I do not want to study tonight!

Well, I saw Orange a few days back and a slightly abridged version. Somebody played around with some of the scenes. My take still on the movie...

I loved the way Bhaskar (the director) was so brutally honest in an otherwise ostrich like industry. In a time where the standard plot is Love Story+Factionalist Angle, he actually dared to make a pure love story with very little action. These action sequences were anyway included to pander to the Megastar fans.

This also brings me to one of my rants. Such a beautiful story line killed by the commercial elements, fans of the Megastar and of course the Megastar himself.

A guy is underwhelmed by a nagging and suspicious girlfriend. Poisons the guy's outlook towards relationships. He starts believing that love is temporary. The movie does a good job so far. It falters when the director starts looking for the Happy Ever After Closure.

I have a few doubts which I seek to clarify myself in the absence of adequate responses from the director. Why is the movie set in Sydney? For the Opera House backdrop? So that the heroine could wear outfits that no middle class male in India would even fantasize of? Or did the hero/producer never go to Australia and wanted to have a look around?

There was one scene where the hero shows the heroine a lion in a jungle or lets say the CGI version of it. Firstly, if ever, one tried to scream at a lion or come out of the car when the lion is standing on the bonnet of the car, I suspect, I would see the remains of the people saved by the lion for the hyenas. Also, are there lions in Australia? For real? In the jungle? Not in the zoo?

Loved the fact that Mr.Brahmanadam read MBs in the movie. Just could not figure out what Srinivasa Avasarla was doing in the movie? He did not even do an item number.

Final thoughts, do you think it is feasible that your passion for a person remains unchanged with time? I am not sure. I think possibly respect and affection might remain unchanged. Instead of highlighting similar points, the director gets scared and we are treated to a scene where the hero realises the error of his ways. For how long are we going to live in the sarson ka khets of DDLJ?

My Life?

A year back I had written with some intensity about my decision to give up a job and pursue a PhD. I am still not sure if I have all the answers in my life. I am still not sure if am doing the right thing and for the right reasons. But having decided on something, I want to give it the best shot that I can...

Have things changed in the last one year? I guess not. The need for approval still remains - exacerbated by the fact that I am a student and am continuously getting evaluated whether I like it or not.

What I can definitely say for sure is that I am getting waylaid by the same malaises that attack most students namely facebook and you tube. Need to find some way of getting my life back on track. Aaagh!

When do you say goodbye?

Do we ever say goodbye to our loved ones? Is it even feasible to say "I love you" to a loved one? It feels so filmy to even write about it, forget about ever saying it. Nanagaru used to quote this dialogue from a Hindi movie "Dard ka Rishta" - "Dard ka Rishta saha jaata hai, kaha nahin jaata". I still wonder.

What is goodbye? Are we ever able to say farewell? Thoughts keep impinging on memory. Are you ever able to move on? Is carrying the intensity of the feeling a sign of never achieving closure? Death is the final departure, but it is still not feasible to say goodbye. They say that Indian rituals deaden you to accept the finality of death. But why then do I keep looking over my shoulder to see if you are still there with me? Those tears when I don't even know that they exist. Those reminiscences that I thought time dimmed. That desperate feeling of regret for the moments that I know that I would forget with time even when I don't want to. That feeling of regret that the people I would love in the future would never get to know you.

Every time I see Vaaranam Aayiram, I get overwhelmed by the same feelings. I am not sure if I am investing too much into a movie that possibly doesn't deserve this part of me, but somehow a bit of me is forever locked in this movie.

Friday, February 4, 2011

Nostalgia

During my undergraduate years one of my friends told me the distortions that nostalgia creates in ones mind. I was too immature to understand it then. I am beginning to understand it now.

As a kid, I used to live in Dalli-Rajhara. I am sure that even people in Bhilai-Durg would be hard pressed to locate it on the map. The high points in our lives were the visits to Bhilai. One could travel by road or by train. Since we always traveled by train, I had a marked fascination to travel by road. Another reason to prefer the road journey was a fantastic small eatery which sold amongst other items - "Gulab Jamuns". Now, nostalgia has created a memory of taste and smell which not even the best Gulab Jamuns from Kolkatta or Delhi have been able to displace. Sometime back, Amma and I decided to go on a long drive and went all the way to Gunderdahi after a singularly bad lunch at Brindavan. Gunderdahi is one of those 10 shops, a railway station and a bus stand kind of small town in interior India. A quick scan of the 10 shops enabled us to locate the dhaba of my childhood memories.

Alas! the Seth who used to run the show had gone into retirement and allowed the standards of the dhaba to fall. The Gulab Jamuns did not match the taste that Nostalgia had registered in my brain. It made me regret my journey to Gunderdahi and shatter the memory of "The Taste". I guess I will now not go to Pulla Reddy in Hyderabad and shatter a few more of my "Tastes".